Cuban-born dancers, Claudia Monja and Juan Carlos Osma perform their debut leading roles as Kitri and Basilio. Photo by Lauge Sorensen

Don Quixote is known to be one of the most lively, big, bold and vibrant ballets, and we should be expecting exciting things from Joburg Ballet who love to snatch every opportunity to show off their virtuoso skills. Don Quixote opens at the Joburg Theatre tonight, 28 August, and runs until 13 September 2015, but with a few surprises in the casting.

Ramiro Samón was quite literally the poster boy in the company’s advertising for their previous production of Don Quixote.

One sad farewell and some happy hellos

Regular Joburg Ballet fans will notice from the casting below that one of their favourite virtuoso dancers is missing from the line-up.

For all those watching his growth over the last few years, Ramiro Samón has been a strong and steady rising star, winning a gold medal at the 2014 South African International Ballet Competition and consistently wowing audiences with his tremendous strength – I mean those cabrioles of his were just ridiculous, see it in the video here!

There was an almost tangible sense about him that he would never settle for less than technical perfection. And perhaps because of that, he’s been offered a wonderful opportunity with a contract in Toulouse and Joburg Ballet has wished him a sad, but very warm farewell for his adventures ahead. Chukkas, Ramiro!

But of course, Joburg Ballet has no shortage of very strong male lead dancers. In fact, for the first time during their previous season of Swan Lake, they had more lead male dancers than lead role openings.

To add to this, the company has also invited two exciting guest artists to join the season. Returning to South Africa, popular guests, Aaron Smyth from Australia and Jonhal Fernández from the National Ballet of Ecuador will alternately perform in the lead roles partnered with Joburg Ballet’s own prima ballerina, Burnise Silvius, who will in turn also have one performance with Joburg Ballet’s Randol Figueredo.

Jonhal Fernández from the National Ballet of Ecuador will be performing as a guest artist with Joburg Ballet’s Burnise Silvius.

From injuries to special moment debuts

While Jonathan Rodrigues – another of Joburg Ballet’s popular lead males – has been recovering following an injury (and fans will be happy to know that he’s now almost 100% recovered), this has opened the opportunity for the tall Cuban dancer, Juan Carlos Osma, to mark his debut as the dashing Basilio. He will partner with fellow Cuban, Claudia Monja, who will headline the opening night in her first ever performance in the role of Kitri.

Principal dancers Shannon Glover and Michael Revie will also perform as the leading Spanish lovers. And among other roles in the production, Mercedes will be danced by Burnise Silvius, Claudia Monja, Nicole Ferreira-Dill and Kirstel Jensen, while the toreador Espada will be danced by Aaron Smyth, Juan Carlos Osma, Jonathan Rodrigues and Michael Revie.

Casting for Joburg Ballet’s Don Quixote 2015:

For the roles of Kitri, Basilio, Mercedes, Espada, Amour and Queen of the Dryads. Casting subject to change.

• Fri 28 Aug 19:30: Monja, Osma, Silvius, Smyth, Acuna, Ferreira-Dill
• Sat 29 Aug 15:00: Silvius, Smyth, Monja, Osma, Dewey, Ferreira-Dill
• Sun 30 Aug 15:00: Glover, Revie, Ferreira-Dill, Rodrigues, Acuna, Monja
• Tue 1 Sep 11:00: Silvius, Figueredo, Jensen, Revie, Gerber, Glover
• Sat 5 Sep 15:00: Monja, Osma, Glover, Revie, Gerber, Ferreira-Dill
• Sun 6 Sep 15:00: Silvius, Smyth, Phetla, Osma, Jensen, Glover
• Fri 11 Sep 19:30: Glover, Revie, Ferreira-Dill, Rodrigues, Dewey, Monja
• Sat 12 Sep 15:00: Silvius, Fernandez, Monja, Osma, Jensen, Monja
• Sun 13 Sep 15:00: Monja, Osma, Glover, Smyth, Acuna, Ferreira-Dill

To whet your appetite for this Spanish feast, here’s a sneak peek video compilation filmed by Lauge Sorensen at this week’s dress rehearsal:

Don Quixote at Joburg Theatre from Lauge Sorensen on Vimeo.

Booking details:

Dates: Friday 28 August – Sunday 13 September 2015.
Venue: Joburg Theatre, Braamfontein, Johannesburg
Tickets: from R100 to R400 via JoburgTheatre.com or 0861 670 670

Joburg Ballet’s prima ballerina Burnise Silvius will perform the pas de deux with Ramiro Samon from the dazzling Don Quixote. Photo by Susanne Holbaek

For three performances only, Joburg Ballet are visiting a new venue with a shorter one-hour programme at a smaller price-point, aiming to take the best ballet highlights to more people. And with an impressive sounding line-up of popular dance pieces, you might want to take up the opportunity too at the Roodepoort Theatre this weekend on 10 and 11 July.

The company’s prima ballerina, Burnise Silvius, will perform the Don Quixote Pas de Deux partnered by Ramiro Samón from Cuba, who was last year’s SA International Ballet Competition gold medal winner (see the video below). Alternating these roles will be principal dancers Shannon Glover and Michael Revie.

Javier Monier in a virtuoso performance of Diana and Acteon. Photo by Pat Bromilow-Downing

Other classical ballet pas de deux include The Flames of Paris with Shana Dewey and Ramiro Samón, Satanella with Dayana Acuna and Javier Monier, and Diana and Acteon where Burnise Silvius and Ramiro Samón will share the roles with Dayana Acuna and Javier Monier.

Along with highlights from Swan Lake, La Sylphide and La Bayadère, there will also be two romantic short ballets by artistic director Iain MacDonald, including one danced to Strauss’ Blue Danube Waltz – one of the most famous pieces of music in the world.

But it’s not all about the classics, rounding off the programme are three items with South African music, choreography or themes: Gauteng to music by Miriam Makeba, Jantjie to music by Anton Goosen, and Fearless by young SA choreographer, John Tsunke.

And if you still need a little more convincing, watch this short video of the powerful, controlled performance that helped win the gold medal for Ramiro Samón. This was his Satanella variation at the 2014 South African International Ballet Competition.

Booking details:

Dates: Friday 10 July 2015 at 8pm; Saturday 11 July 2015 at 3pm and 8pm
Venue: Roodepoort City Theatre, Roodepoort (you’ll find the directions here)
Tickets: R140 to R170 from www.roodepoorttheatre.com or phone 0861 670 670.

South African prima ballerina, Burnise Silvius, with Jonathan Rodrigues and dancers from Joburg Ballet in front of the company’s grand new sets designed by Andrew Botha. Photo by Lauge Sorensen

With an impressively large cast of over 80 dancers hailing from Cuba, China, Brazil, the United States and South Africa, Joburg Ballet is readying itself for what it claims is the “largest and grandest” production of Swan Lake South Africa has yet seen, taking place at Joburg Theatre from 17 April to 3 May 2015.

It’s a big claim that’s bound to raise the eyebrows of the competition (St Petersburg Ballet Theatre are performing Swan Lake in Johannesburg and Cape Town in May). But with Joburg Ballet’s knack for always finding innovative ways to surprise and delight, we’re rather keen to see what they’ve got hidden in those wings.

For a start, the ballet company has announced a very peculiar, but creatively enticing decision regarding their casting for the opening night. Each act will see a different leading couple perform the roles of Odette/Odile and the Prince, giving the audience an absolutely unique opportunity to enjoy the performances of the international guests as well as Joburg Ballet’s own principal dancers in sequence in one night.

While this might mess with classical purists’ sense of calm and continuity, the exposure to more dancers with their individual interpretations and style is bound to be an interesting take on a Swan Lake opening night.

Commenting on this decision, Joburg Ballet CEO Dirk Badenhorst said, “We decided to make the opening night of Swan Lake a gala event, partly to celebrate having all of our friends from around the world here dancing with us and partly to showcase everything this collaborative run will offer to the high profile audience – which includes government ministers, ambassadors and other dignitaries from South Africa, China, Cuba and the US – on the first night.”

Cuban prima ballerina Viengsay Valdes with partner José Losada performing a black swan variation at the International Ballet Gala in Johannesburg 2013. Photo by Sarah Weyman

Dancing stars from across the globe

So who are these leading dancers sharing the stage?

From Cuba, you’ll see prima ballerina Viengsay Valdés from the National Ballet of Cuba partnering with US ballet star Brooklyn Mack from The Washington Ballet, who is always a popular crowd-raising guest on the South African stage.

Miss Valdés is also a returning visitor to South Africa and gave an electric performance of the black swan during the International Ballet Gala of 2013. She’s known for her remarkable sense of balance and performed six pirouette turns leading into fouettes! See for yourself in the video below.

From China, the Liaoning Ballet’s prima ballerina, Yu Chuanya, will perform with her partner Ma Ming. And South Africa’s own prima ballerina, Joburg Ballet’s beautiful Burnise Silvius dances with the dapper Brazilian Jonathan Rodrigues. It’s the United Nations on one stage in one night.

Missed opening night? Here’s the casting for the rest of the production for you to take your pick (casting subject to change).

Casting for Joburg Ballet’s Swan Lake 2015

April 2015:

• Friday 17, 19:30: Gala Performance with Joburg Ballet stars and visiting guest stars
• Saturday 18, 15:00: Burnise Silvius (Odette-Odile), Jonathan Rodrigues (Prince)
• Saturday 18, 19:30: Nicole Ferreira-Dill (Odette), Claudia Monja (Odile), Juan Carlos Osma (Prince)
• Sunday 19, 15:00: Dancers from the Liaoning Ballet of China
• Tuesday 21, 11:00: Claudia Monja (Odette-Odile), Juan Carlos Osma (Prince) – Edutainment Performance
• Friday 24, 19:30: Viengsay Valdés (Odette-Odile), Brooklyn Mack (Prince)
• Saturday 25, 15:00: Burnise Silvius (Odette-Odile), Jonathan Rodrigues (Prince)
• Saturday 25, 19:30: Dancers from the Liaoning Ballet of China
• Sunday 26, 11:00: Kirstel Jensen (Odette-Odile), Michael Revie (Prince) – Edutainment Performance
• Sunday 26, 15:00: Viengsay Valdés (Odette-Odile), Brooklyn Mack (Prince)
• Tuesday 28, 11:00: Nicole Ferreira-Dill (Odette-Odile), Juan Carlos Osma (Prince) – Edutainment Performance

May 2015:

• Friday 1, 19:30: Burnise Silvius (Odette-Odile), Jonathan Rodrigues (Prince)
• Saturday 2, 15:00: Kirstel Jensen (Odette-Odile), Michael Revie (Prince)
• Saturday 2, 19:30: Shannon Glover (Odette-Odile), Ramiro Samón (Prince)
• Sunday 3, 15:00: Burnise Silvius (Odette-Odile), Brooklyn Mack (Prince)

Now brace yourself for this, partly because of the poor video quality, but don’t worry, the other ‘partly’ has to do with such astounding dancing that you can easily forgive the amateur footage…

Booking details:

Dates: Friday 17 April – Sunday 3 May 2015.
Venue: Joburg Theatre, Braamfontein, Johannesburg
Tickets: from R100 to R400 via JoburgTheatre.com or 0861 670 670

Ramiro Samón in his gold medal winning variation from Satanella at the 2014 South African International Ballet Competition in Cape Town in February. Photo by Pat Bromilow-Downing.

Bringing the top prize back to Johannesburg, senior gold medal winner from the recent South African International Ballet Competition, Ramiro Samón, rejoins the Joburg Ballet cast along with fellow Cuban and silver medallist, Javier Monier, as the company prepares for its production of Coppélia, opening at Joburg Theatre on 7 March 2014.

Both competition medallists will perform in the lead male role (as Franz) in classical ballet’s much-loved comedy, interchanging with Joburg Ballet’s other principal men such as Michael Revie, Jonathan Rodrigues, Carlos Santos and Randol Figueredo.

Joburg Ballet’s leading ladies to perform the role of Swanhilda will include prima ballerina Burnise Silvius and principals Shannon Glover, Angela Revie and Lindé Wessels. See the casting details and dates below.

Coppélia tells the story of an old toymaker who mistakenly believes he’s breathed life into his most beautiful mechanical doll, naturally with comical repercussions. The full cast of 40 dancers delivers all the romance, jealousy, intrigue and of course comedy that makes this ballet one of the much loved classics in the ballet world.

Javier Monier receives his silver medal in the senior classical division at the 2014 South African International Ballet Competition. Photo by Pat Bromilow-Downing.

Casting for Coppélia:

Casting for the roles of Swanhilda, Franz and Dr Coppelius are subject to change.

• Friday 7 March, 19:30: Burnise Silvius, Michael Revie, Jacob Mosehla.
• Saturday 8 March, 15:00: Shannon Glover, Ramiro Samón, Luis de Castro.
• Saturday 8 March, 19:30: Angela Revie, Javier Monier, Luis de Castro.
• Sunday 9 March, 11:00: Burnise Silvius, Michael Revie, Chase Bosch.
• Sunday 9 March, 15:00: Shannon Glover, Jonathan Rodrigues, James Fraser.
• Tuesday 11 March, 11:00: Lindé Wessels, Carlos Santos, Jacob Mosehla.
• Friday 14 March, 19:30: Angela Revie, Randol Figueredo, Luis de Castro.
• Saturday 15 March, 15:00: Burnise Silvius, Michael Revie, Chase Bosch.
• Sunday 16 March, 15:00: Shannon Glover, Jonathan Rodrigues, James Fraser.
• Tuesday 18 March, 11:00: Lindé Wessels, Carlos Santos, Chase Bosch.
• Friday 21 March, 19:30: Shannon Glover, Ramiro Samón, Jacob Mosehla.
• Saturday 22 March, 15:00: Burnise Silvius, Randol Figueredo, Luis de Castro.
• Sunday 23 March, 15:00: Angela Revie, Javier Monier, Jacob Mosehla.

Booking details:

Dates: 7 – 23 March 2014
Venue: The Mandela at Joburg Theatre, Johannesburg
Tickets: From R100 to R450 via wwwJoburgTheatre.com

Dancers from Joburg Ballet rehearsng Belinda Nusser’s new piece, called The Deep and Lovely Quiet. Photo by Bill Zurich.

Coming to both Johannesburg and Cape Town, the newly renamed Joburg Ballet (previously South African Mzansi Ballet) is collaborating with a leading Colombian dance company to bring audiences a showcase of classical and contemporary dance.

Starting on 20 September 2013, at the Joburg Theatre, audiences will see new works by South African choreographers – Belinda Nusser, Kitty Phetla and Shannon Glover – along with special pieces by Álvaro Restrepo, performed by the professional dancers from his Colombian company, El Colegio Del Cuerpo (The School of the Body) and dancers from Joburg Ballet.

For an inspiring and insightful insight into Restrepo’s School of the Body and its dancers, watch this short feature on the school in this episode of ArtsWorld from AlJazeera TV.

Coming up in the Celebration 5 programme…

Starting off the show will be a piece called The Deep and Lovely Quiet by Belinda Nusser. The ex-Joburg and now European-based Nusser explains her piece with these questions: “Does the feeling of belonging to a group make it any less lonely? How far does loneliness go, and where we can we find our peace?” Performed by 11 dancers from Joburg Ballet, they’ll explore the social interactions we experience in daily life and the monotony of them, but also the impact of group power and the strength that comes out of work in unison.

European-based South African choreographer, Belinda Nusser, as she works with dancers at their Joburg Ballet studios. Photo by Bill Zurich.

Talking of strength, Shannon Glover revealed at a recent choreographic discussion that her work – called Use Somebody – is all about strength, saying that the men in the Joburg Ballet company are so strong that she’s allowed them to dominate the stage. Sounds like we can expect some powerful jumps and impressive macho dancing.

Celebration 5 will also see Kitty Phetla premiere her new piece, called I am. At the same choreographic discussion, she confidently admitted that she’s “a very abstract choreographer” and likes to work with the “educated body”. Considering Phetla’s strong choreographic experience, her work with the very educated bodies of the Joburg Ballet dancers should create something rather special.

But when it comes to special moments, one of the much anticipated highlights of the production will be the work by the Colombian Álvaro Restrepo. Having watched him in action, Restrepo has a very grounded, humble, yet also spiritual approach to his work, which creates pure magic in movement. There’s also a deep sincerity and a depth of meaning to the man that seems to percolate through his wonderfully talented dancers.

These seven dancers will perform Romanian Dances, and will then join forces with 13 Joburg Ballet dancers to perform God-by-the-sea, which Restrepo says is in part a contemplative tribute to the memory of his sister, who died tragically 13 years ago.

But for those who can’t go to the ballet without actually seeing some classical ballet, you’ll be in for a treat with a pas de deux from The Flower Festival at Ganzano. It’s an enchanting Danish piece, which has not been seen on the Johannesburg stage for many years. The programme also includes a classical pas de deux from Act 1 of the ballet Le Corsaire.

Booking details – Johannesburg:

Dates: Friday 20 September at 19:30; Saturday 21 September at 19:30; Saturday 28 September at 19:30.
Venue: Joburg Theatre, Johannesburg
Tickets: From R189 to R336 from www.joburgtheatre.com

Booking details – Cape Town:

Dates: Tuesday 24 September at 19:30; Wednesday 25 September at 19:30.
Venue: Joseph Stone Auditorium, Athlone, Cape Town
Tickets: R150 (or R120 for children under 12) from Computicket

Dancer interviews about Celebration 5 and Cinderella

See Joburg Ballet’s Nicole Ferreira and Michael Revie as they talk on Ballz Radio about both Celebration 5 and their current production of Cinderella.

Fairy-tale dreams with Shannon Glover and Jonathan Rodrigues in SAMB’s all-new Cinderella. Photo by Bill Zurich.

Johannesburg audiences will have a choice of four ballerinas alternating in the title role of South African Mzansi Ballet’s all-new production of Cinderella, which opens on Friday 13 September 2013 at the Joburg Theatre.

SAMB’s principal dancers, Burnise Silvius and Michael Revie. Photo by Bill Zurich.

Won, two, three, four…

Across this 11-performance season, the local SAMB stars – Burnise Silvius, Shannon Glover and Lindé Wessels – will share Cinderella’s magical coach with international guest dancer, Jin Ho Won from South Korea. (Read more about Won here: Gold medalist guest ballerina arrives in SA.)

The source of the magic in the story, Cinderella’s Fairy Godmother, will be danced by Nicole Ferreira, Lindé Wessels, Sanmarie Kreuzhuber, Claudia Monja and Kitty Phetla; while the dashing Prince Charming will be danced by Jonathan Rodrigues, Michael Revie and Ramiro Samón.

Providing the comic flamboyance to the story, Cinderella’s two Ugly Sisters will be pranced, ahem, I mean danced by men, with Luis de Castro, Chase Bosch, Javier Monier, Carlos Santos, Keke Chele and Randol Figueredo getting their drag on in alternating performances.

And adding the high jinks (and high jumps) will be the Jesters danced by Javier Monier, Randol Figueredo, Luis de Castro and Chase Bosch.

Casting Summary

Here’s the quick casting guide for Cinderella and her Prince:

• 

  See visiting star, South Korean Jin Ho Won as Cinderella. Photo courtesy of SAMB.

  Friday 13 September at 19:30: Burnise Silvius & Jonathan Rodrigues

• Saturday 14 September at 15:00: Jin Ho Won & Michael Revie
• Saturday 14 September at 19:30: Lindé Wessels & Jonathan Rodrigues
• Sunday 15 September at 11:00: Shannon Glover & Ramiro Samón
• Sunday 15 September at 15:00: Jin Ho Won & Michael Revie
• Tuesday 17 September at 11:00: Lindé Wessels & Jonathan Rodrigues (School Performance)
• Saturday 21 September at 15:00: Shannon Glover & Ramiro Samón
• Sunday 22 September at 15:00: Burnise Silvius & Jonathan Rodrigues
• Friday 27 September at 19:30: Jin Ho Won & Michael Revie
• Saturday 28 September at 15:00: Shannon Glover & Ramiro Samón
• Sunday 29 September at 15:00: Burnise Silvius & Michael Revie

Cinderella booking details:

Dates: 13 to 29 September 2013
Venue: Joburg Theatre, Johannesburg
Tickets: From R189 to R336 from www.joburgtheatre.com

Cape Town City Ballet warm-up class. Photo by Michael Groenewald courtesy of CTCB.

Do you ever have those days where you know there is so much more you can do in ballet class, but your body stubbornly refuses to cooperate? Of course you do, silly question, pushing the body beyond its boundaries is basically the definition of ballet, right?

After all, there is no such thing as too many pirouette turns or too much elevation in jumps – dancers are always striving for more.

Dramatic moment with Elizabeth Nienaber. Photo by Michael Groenewald courtesy of CTCB.

But while relentlessly pushing yourself in ballet can certainly give you results, it can also give you injuries. A better approach is to find a happy balance, where you can identify your weak areas and safely strengthen them out of class, enabling you to work harder and with more control in the class.

This is where cross-training for ballet is so valuable.

So when you’re panting after that first allegro exercise and when your feet should be doing hummingbird beats but start to resemble flopping fish instead, it’s time to add some cardio fitness workouts.

And when you’re fighting to hold (or lift) that arabesque, perhaps it’s time to include some core strength conditioning.

Following the recent cross-training article on BodyMindBallet (Best out-the-class ideas for in-the-class performance), I asked a few South African professional ballet dancers to tell us what type of ballet cross-training they do and what works best for them.

Here are some of their ideas that you can try for yourself.

[Although remember that what works for one dancer doesn’t necessarily work for another, so it’s always best to chat to your ballet teacher and physical therapist before starting any new training schedules.]

Ballet cross-training that works:

Michael Revie from South African Mzansi Ballet stretching during rehearsals. Photo by Jurgen Badenhorst courtesy of SAMB.

Michael Revie, principal dancer at South African Mzansi Ballet says, “when I perform, it is normally for 1 and a half to 2 hours and it is a mix of everything, so training many different ways is very, very important for me.”

Michael does circuit training three times a week, mixing upper body and leg workouts, and he aims to do weight training twice a week too. However, he doesn’t stop there.

“Being a dancer, we move every day in different ways,” says Michael. “I feel if I stick to one type of training, I will be neglecting some parts of my body. I need to be fit to run long distance and do sprints, long jump, high jump, weight lifting, flexibility and strength.”

Thomas Thorne of Cape Town City Ballet (CTCB) takes a similar approach with cross-training.  He says “I don’t believe that just a ballet class is enough to keep strong. Ballet has become more athletic and bodies are more toned, so going to the pilates class or the gym is needed.”

Thomas recommends trying many different forms of exercise and he emphasizes that “male dancers also must be strong to partner a girl and get through a solo”.

Kirstel Jensen and Daniel Szybkowski during rehearsals at Cape Town City Ballet’s studios. Photo by Michael Groenewald courtesy of CTCB.

However, even though the physical demands and cross-training needs are different for ballet men and women, that doesn’t mean gym is only for the boys.

Kirstel Jensen, a CTCB dancer, says that gym makes her stronger too, especially helping with upper body strength and also strengthening her legs for jumping and landing. She says working out at the gym also improves her stamina and “it makes muscles not usually used stronger, which in turn improves my ballet technique”.

But when it comes to increasing core body strength, pilates pops up on almost all dancers’ cross-training schedules. Claire Spector (from Cape Town City Ballet) says pilates helps her build strong core muscles, while it’s good for preventing injuries and for general body conditioning.

Elizabeth Nienaber (CTCB) says she does pilates, yoga and gym, listing several benefits including increasing flexibility, relieving stress and she says it provides a “better understanding of the body/mind connection”.

Angela Hansford during rehearsals. Photo by Michael Groenewald courtsy of CTCB.

Angela Hansford (CTCB) believes that yoga works best for her. In particular Angela says that because she’s tall, she needs a very strong core. “This helps me to move faster and be more coordinated,” she says.

Angela adds that yoga stretches are very beneficial, and “heated yoga is also great because you feel more flexible in the heat and can really push your stretches.”

But if you prefer fresh air to hot, stuffy studios, Daniel Szybkowski (CTCB) says he goes jogging and hiking, which he claims strengthens his ankles and legs and also improves his stamina.

But what about cross-training for injury rehabilitation?

Michael Revie has dealt with his fair share of injuries over his career and has developed his own injury prevention/recovery techniques. But as a starting point he says, “if I have an injury, I wait until the physio says I am allowed to train, then I train the injured area by itself (pilates, swimming, biokinetics). As soon as I feel the strength coming back, I start to lift more and train longer.”

See them in action…

Now that you have some insight into these dancers’ off-stage workouts, why don’t you see for yourself how it translates into their on-stage performance?

You can still catch the Cape Town City Ballet dancers on stage this week with their production of The Sleeping Beauty at Artscape until 18 August (tickets through Computicket here); and you can see Michael Revie and the South African Mzansi Ballet dancers in their upcoming production of Cinderella at the Joburg Theatre in September (book those tickets here).

(Photos by Mariola Biela courtesy of Mango airline.)

Taking ballet outdoors and to the sky. Photo by Mariola Biela courtesy of Mango airline.

Ballet in unexpected places with an unusual partner

As far as we can tell, this type of synchronised aerial collaboration hasn’t been attempted before. But by all accounts, on Saturday 11 May 2013 the South African Mzansi Ballet dancers and the pilots of Mango’s new-generation Boeing 737-800 performed a perfect lift-off with many plane twists and ballet turns to entertain the 35 000 strong crowd.

Here’s a comment from one of the dancers, Michael Revie (the foremost male dancer partnering Burnise Silvius in the photo alongside):

“As a principal dancer for South African Mzansi Ballet, a keen air plane model enthusiast and aviation fanatic, it was an incredible experience for me to perform at this first ever choreographic collaboration between ballet dancers and a Boeing 737-800.

I had a wonderful time combining the art and craft of my day job with the mechanical engineering wonders of aviation. A performance I will never forget!”

While the majority of this Swartkops audience would have attended the Airshow for the airplanes and their tricks, they certainly got to see aerial manoeuvres of a different kind with SA Mzansi Ballet’s virtuoso dancers.

Let’s hope the crowd went home with a whole new appreciation for dance (and let’s hope their plane-dancer-plane-dancer-plane-dancer whiplash recovers quickly).

For more details on this novel ballet performance, the ballet dancers involved, the choreography and more, see the original full story here.

Sadaise Arencibia and Arian Molina in a scene from Swan Lake. Photo courtesy of The National Ballet of Cuba

Covering east, west, north and south, the International Ballet Gala taking place in Johannesburg from 28 to 30 June brings us ballet stars from around the globe, including gold medallists and acclaimed dancers from far-flung regions such as Russia, South Korea, the USA and of course Cuba.

Alicia Alonso in 1955.

I say “of course” because this ballet production is Dirk Badenhorst’s way of saluting Madame Alicia Alonso, considered to be Cuba’s prima ballerina assoluta – an honorary title rather than an active rank considering that she is now in her nineties. Madame Alonso still directs the National Ballet of Cuba that she founded in 1948 and found an admirer in South African ballet entrepreneur Dirk Badenhorst ever since he began his close association with Cuban ballet in 2008.

Take a peek at who’s coming:

Dancers appearing in the galas are:

• Mariinsky Ballet, St Petersburg: Kimin Kim
• National Ballet of Cuba: Anette Delgado, Dani Hernández, Sadaise Arencibia, Arián Molina, Viengsay Valdes, José Losada
• Dutch National Ballet: Wen Ting Guan
• Dresden Ballet & Hungarian National Ballet: István Simon
• Columbia Classical Ballet, USA: Tamako Miyazaki
• The Washington Ballet: Maki Inuki, Brooklyn Mack
• English National Ballet: Aaron Smyth
• South African Mzansi Ballet: Burnise Silvius, Michael Revie, Shannon Glover, Jonathan Rodrigues, Luis de Castro, Randol Figueredo, Javier Monier, Ramiro Samón
• South Korea: Ga Yeon Jung

Brooklyn Mack from The Washington Ballet danced as Basilio in SA Mzansi Ballet’s 2013 production of Don Quixote.
Photo courtesy of South African Mzansi Ballet

What to expect:

The two gala programmes in the 5-performance only season include showpieces from Swan Lake, The Sleeping Beauty, The Nutcracker, La Bayadére, Le Corsaire, Giselle, Don Quixote, Romeo and Juliet and more.

Of special interest to South African audiences will be the first ever performances in this country of the Balcony Pas de Deux from John Cranko’s version of Romeo and Juliet.  One of the great choreographers of the 20th century, SA-born John Cranko led the Stuttgart Ballet to international fame before his tragically early death at the age of 46 in 1973.

Get your tickets:

Dates: Friday 28 June at 8pm
Saturday 29 June at 3pm and 8pm
Sunday 30 June at 2pm and 6pm
Venue: The Teatro at Montecasino, Johannesburg
Tickets: From R90 to R400 from Computicket

Click on a picture to open the gallery.