From left to right: Elizabeth Nienaber, Bradley van Heerden, Kim Vieira, Daniel Szybkowski, Laura Bösenberg, Angela Hansford, Rosamund Ford and Thomas Thorne. Photo by Pat Bromilow-Downing

In the midst of Cape Town City Ballet’s 80 anniversary celebrations, there are now even more celebratory ching-chings to be had as the company recently announced eight promotions within the company. The dancers who have received promotions are Elizabeth Nienaber, Bradley van Heerden, Kim Vieira, Daniel Szybkowski, Laura Bösenberg, Angela Hansford, Rosamund Ford and Thomas Thorne.

Moving up from Principal Dancers to Senior Principal Dancers are Laura Bösenberg, Thomas Thorne and Kim Vieira, while Angela Hansford has been promoted to Principal Dancer, and Daniel Szybkwoski is now a Senior Soloist. Elizabeth Nienaber and Rosamund Ford have both been promoted to Soloists and Bradley van Heerden to Senior Artist.

Congrats lovely dancers!

See these dancers starring in their upcoming mid-year production called Ballet Beautiful, at Artscape Theatre from 4 to 12 July 2014.

Booking Details for Ballet Beautiful:

Dates: Friday 4 July 2014 at 19:30;
Saturday 5 July 2014 at 14:00 and 19:30;
Sunday 6 July 2014 at 15:00;
Friday 11 July 2014 at 19:30;
Saturday 12 July 2014 at 14:00 and 19:30.
Venue: Artscape Theatre, Cape Town
Tickets: from R150 to R175 via Computicket or Artscape Dial-a-Seat on 021 421 7695.

Daniel Szybkowski and Angela Hansford in Robin van Wyk’s new pas de deux ‘The Fragile Balance’. Photo by Pat Bromilow-Downing.

As their 80th anniversary celebrations continue, Cape Town City Ballet are rehearsing for their July ballet season, which includes a mix of classical, neo-classical and contemporary works in a programme called Ballet Beautiful – on at the Artscape Theatre from 4 to 12 July 2014.

The programme looks set to show off the company’s versatility with a challenging classical piece from the beautiful Paquita, to the two new and contemporary ballets by young South African choreographers, Kirsten Isenberg and Yarisha Singh, as well as a new pas de deux by CTCB’s Artistic Director, Robin van Wyk.

Laura Bosenberg and Thomas Thorne in ‘Of Gods and Men’. Photo by Pat Bromilow-Downing

Classical technique and beauty

The incomparable combination of music by Ludwig Minkus and choreography by Marius Petipa makes Paquita – particularly Paquita’s Grand Pas Classique – one of the essential classical works in the repertoire of ballet companies around the world. In Ballet Beautiful, Cape Town City Ballet will perform the much-loved divertissements from the final act.

Contemporary expression and versatility

As for the brand new ballet pieces, Cape Town City Ballet commissioned Isenberg and Singh, both UCT School of Dance graduates, to create new works for the company as part of their policy to foster and support local creative talent.

Kirsten Isenberg’s piece, called Of Gods and Men, is a neo-classical work “depicting the mythological struggle between gods and man, illustrating how their strengths and weaknesses ultimately result in their equality”. In Yarisha Singh’s contemporary style ballet, Serendipity, the piece follows less of a storyline but affords the audience more opportunity to make their own associations and discoveries.

Mark Goldberg & Frieda Mennen in Serendipity. Photo by Pat Bromilow-Downing.

CTCB’s own Robin van Wyk will reveal his newly-choreographed pas de deux called The Fragile Balance, inspired by the poem of the same name by Arokuara (read the poem here) and set to the music of Max Bruch’s famous violin concerto (scroll down for the video of a fabulous live performance – of the music, not the pas de deux).

As an extra treat, one of Cape Town City Ballet’s outreach partners, ZAMA Dance School, will perform Uvuyo (Celebrate) by the renowned South African choreographer Adele Blank as the curtain-raiser performance.

Booking Details:

Dates: Friday 4 July 2014 at 19:30;
Saturday 5 July 2014 at 14:00 and 19:30;
Sunday 6 July 2014 at 15:00;
Friday 11 July 2014 at 19:30;
Saturday 12 July 2014 at 14:00 and 19:30.
Venue: Artscape Theatre, Cape Town
Tickets: from R150 to R175 via Computicket or Artscape Dial-a-Seat on 021 421 7695.

Are you curious about that “famous” violin concerto? I was too and couldn’t help myself with a little YouTube search. This is what I found: enjoy this video of Joshua Bell performing the first movement from Max Bruch’s violin concerto no. 1 in G minor…

See pure white magic on stage with Cape Town City Ballet’s Swan Lake in April 2014. Photo by Pat Bromilow-Downing.

Following an already busy start to their 80th anniversary year, starting with the popular modern ballet Night & Day at Artscape, then the outdoor performances of The Firebird and Les Sylphides at Maynardville, now Cape Town City Ballet prepares for one of the greatest classical ballets of all time, Swan Lake, to be performed at the Artscape Opera House from 5 to 20 April 2014.

Royal Ballet couple make star appearances

In a major scoop for the Cape Town ballet company, their production of Swan Lake will feature two leading dancers from the Royal Ballet in London – Hikaru Kobayashi and Federico Bonelli. The real-life husband and wife team will make their special guest performances in the lead roles on 19 and 20 April, where they will be dancing the famous roles together as a couple for the very first time.

Cape Town City Ballet’s own Laura Bösenberg, partnered by Thomas Thorne as Prince Siegfried, will dance the dual roles of Princess Odette and Princess Odile, which is always a great challenge and achievement for a ballerina considering the tremendous emotional depth, technical strength and stamina required for this challenging role.

See Thomas Thorne partner Laura Bosenberg as she dances the challenging dual roles of the white and black swan. Photo by Pat Bromilow-Downing.

For the other performances, Daniel Szybkowski will partner Angela Hansford (Odette) and Kim Vieira (Odile) and Jesse Milligan will partner Kirstel Jensen (Odette) and Mami Fuji (Odile). See the casting details and dates below.

Cape Town’s great white ballet

First performed in Cape Town in 1971, this Swan Lake marks the CTCB’s 4th restaging of Attilio Labis’s version. It was originally created for the CAPAB Ballet Company by Labis, based on his many performances in productions around the world. Now produced by Prof Elizabeth Triegaardt, honorary executive director of the CTCB, who herself had the honour of dancing the role of Odette/Odile in that first production, while simultaneously, as Ballet Mistress of CAPAB, rehearsing the corps de ballet for 15 years.

Considering the hauntingly beautiful musical masterpiece that Tchaikovsky created for this ballet, audiences will be delighted to know that all but one of the scheduled nine performances of Swan Lake will be accompanied by the Cape Philharmonic Orchestra, which is also celebrating a big anniversary this year – 100 years of orchestral music in Cape Town! The orchestra will be conducted by Graham Scott.

According to the company, early ticket sales indicate that Cape Town City Ballet may have a sell-out success with Swan Lake in April 2014. Photo by Pat Bromilow-Downing.

Those with sensitive hearts will also be happy to know that this particular version of Swan Lake is one of the few that has a satisfyingly happy ending!

Casts in order of appearance:

• Saturday 5 April, 19:30: Laura Bösenberg & Thomas Thorne
• Wednesday 9 April, 19:30: Angela Hansford, Kim Vieira & Daniel Szybkowski
• Saturday 12 April, 14:00: Kirstel Jensen, Mami Fujii & Jesse Milligan
• Saturday 12 April, 19:30: Laura Bösenberg & Thomas Thorne
• Sunday 13 April, 19:30: Angela Hansford, Kim Vieira & Daniel Szybkowski (recorded music)
• Wednesday 16 April, 19:30: Kirstel Jensen, Mami Fujii & Jesse Milligan
• Saturday 19 April, 14:00: Laura Bösenberg & Thomas Thorne
• Saturday 19 April, 19:30: Hikaru Kobayashi & Federico Bonelli (Royal Ballet guests)
• Sunday 20 April, 15:00: Hikaru Kobayashi & Federico Bonelli (Royal Ballet guests)

Booking details:

Dates: 5 to 20 April 2014.
Venue: Atrscape Opera House, Cape Town.
Tickets: From R100 to R320 via Computicket or Artscape Dial-a-Seat on 021 421 7695.

Cape Town City Ballet’s Laura Bosenberg as The Firebird. Photo by Pat Bromilow Downing.

How to catch a Firebird? For a start you’ll need an enchanted garden, some moonlight and of course, this magical creature’s only ever been spotted with the sounds of Stravinsky. Well, considering she’s half-woman, half-bird, you didn’t think this would be a walk in the park did you?

Except that this time it is.

Cape Town City Ballet is weaving its magic through the scenic gardens of Maynardville Park to bring The Firebird to life at the Maynardville Open-Air Theatre, giving you the perfect sylvan setting to catch it (at least with your eyes) every Sunday from 19 January until 16 February 2014.

As 2014 marks the 80th anniversary year for Cape Town City Ballet, the company is flying into celebration mode with The Firebird, followed by another moonlit ballet, Les Sylphides, with both these enchanting and ethereal ballets performed back-to-back in the ideal setting of Cape Town’s Maynardville Park.

Both ballets were first staged by Russian choreographer Michel Fokine, but have been reworked here by David Poole. Here’s a brief background into the stories and mythical beings you’ll encounter in these ballets:

The Firebird and Kashchei the Immortal

Prince Ivan (Xola Putye) shows us how it’s done as he catches his Firebird (Kim Vieira). Photo by Michael Groenewald.

According to Russian folk tales, Kashchei the Immortal is an evil sorcerer who can cast a spell on those caught in his realm. Under this spell, he holds a group of 13 young royal princesses captive in a mystical garden.

Meanwhile, the hero of the story, young Prince Ivan, enters the villain’s domain and captures a magical Firebird. She begs him to release her in exchange for one of her magical feathers and the promise that the feather can be used to summon her aid at any time.

Ivan encounters the group of maidens one evening and as he watches them play in the moonlight he falls in love with Tsarevna, one of the princesses. But in pursuit of his love, the prince is waylaid by a horde of demons under Kashchei’s spell. Ivan remembers the feather, and the Firebird arrives to rescue him and end the tyranny of Kashchei.

The ballet ends with a wedding scene where the Firebird blesses the marriage of the prince and princess. The roles of the Firebird and Prince will be danced by Kim Vieira (debut) partnering with Xola Putye; Laura Bosenberg with Thomas Thorne (debut); and Mami Fuji (debut) with Ivan Boonzaaier (debut).

Les Sylphides and poetry in motion

Laura Bosenberg and the sylphs in Les Sylphides. Photo by Pat Bromilow Downing.

Described as a “romantic reverie”, Les Sylphides is a short ballet and one of the first ballets to not have a specific story-line or plot, but instead is considered a tribute to the romantic ballets and consists of many ballerinas in long white tutus as ethereal sylphs (mythological spirits of the air) dancing in the moonlight with a poet.

Set to Chopin’s serene music, this beautiful ballet has seen various versions, even by the original choreographer Fokine himself, but the Maynardville audiences will see the graceful ballet produced by Cecily Robinson for the CAPAB Ballet Company. For this production the lead partnerships will be Laura Bosenberg, dancing with Thomas Thorne, and Angela Hansford partnering with Daniel Szybkowski – who debuts in the role of the Poet.

For a dreamy and fascinating insight into Les Sylphides, watch this video (possibly filmed in the 1950’s) of Tamara Karsavina as she talks of performing with Anna Pavlova and Vaslav Nijinsky, and she discusses the role of the corps de ballet and the necessary ethereal expression of the port de bras.

Booking details:

The Firebird and Les Sylphides
Dates: Every Sunday at 8:15pm from 19 January to 16 February 2014
Venue: Maynardville Open-Air Theatre, Cape Town
Tickets: R110, R120 or R130 through Computicket.com or via Artscape Dial-a-Seat on 021 421 7695.

Cape Town City Ballet warm-up class. Photo by Michael Groenewald courtesy of CTCB.

Do you ever have those days where you know there is so much more you can do in ballet class, but your body stubbornly refuses to cooperate? Of course you do, silly question, pushing the body beyond its boundaries is basically the definition of ballet, right?

After all, there is no such thing as too many pirouette turns or too much elevation in jumps – dancers are always striving for more.

Dramatic moment with Elizabeth Nienaber. Photo by Michael Groenewald courtesy of CTCB.

But while relentlessly pushing yourself in ballet can certainly give you results, it can also give you injuries. A better approach is to find a happy balance, where you can identify your weak areas and safely strengthen them out of class, enabling you to work harder and with more control in the class.

This is where cross-training for ballet is so valuable.

So when you’re panting after that first allegro exercise and when your feet should be doing hummingbird beats but start to resemble flopping fish instead, it’s time to add some cardio fitness workouts.

And when you’re fighting to hold (or lift) that arabesque, perhaps it’s time to include some core strength conditioning.

Following the recent cross-training article on BodyMindBallet (Best out-the-class ideas for in-the-class performance), I asked a few South African professional ballet dancers to tell us what type of ballet cross-training they do and what works best for them.

Here are some of their ideas that you can try for yourself.

[Although remember that what works for one dancer doesn’t necessarily work for another, so it’s always best to chat to your ballet teacher and physical therapist before starting any new training schedules.]

Ballet cross-training that works:

Michael Revie from South African Mzansi Ballet stretching during rehearsals. Photo by Jurgen Badenhorst courtesy of SAMB.

Michael Revie, principal dancer at South African Mzansi Ballet says, “when I perform, it is normally for 1 and a half to 2 hours and it is a mix of everything, so training many different ways is very, very important for me.”

Michael does circuit training three times a week, mixing upper body and leg workouts, and he aims to do weight training twice a week too. However, he doesn’t stop there.

“Being a dancer, we move every day in different ways,” says Michael. “I feel if I stick to one type of training, I will be neglecting some parts of my body. I need to be fit to run long distance and do sprints, long jump, high jump, weight lifting, flexibility and strength.”

Thomas Thorne of Cape Town City Ballet (CTCB) takes a similar approach with cross-training.  He says “I don’t believe that just a ballet class is enough to keep strong. Ballet has become more athletic and bodies are more toned, so going to the pilates class or the gym is needed.”

Thomas recommends trying many different forms of exercise and he emphasizes that “male dancers also must be strong to partner a girl and get through a solo”.

Kirstel Jensen and Daniel Szybkowski during rehearsals at Cape Town City Ballet’s studios. Photo by Michael Groenewald courtesy of CTCB.

However, even though the physical demands and cross-training needs are different for ballet men and women, that doesn’t mean gym is only for the boys.

Kirstel Jensen, a CTCB dancer, says that gym makes her stronger too, especially helping with upper body strength and also strengthening her legs for jumping and landing. She says working out at the gym also improves her stamina and “it makes muscles not usually used stronger, which in turn improves my ballet technique”.

But when it comes to increasing core body strength, pilates pops up on almost all dancers’ cross-training schedules. Claire Spector (from Cape Town City Ballet) says pilates helps her build strong core muscles, while it’s good for preventing injuries and for general body conditioning.

Elizabeth Nienaber (CTCB) says she does pilates, yoga and gym, listing several benefits including increasing flexibility, relieving stress and she says it provides a “better understanding of the body/mind connection”.

Angela Hansford during rehearsals. Photo by Michael Groenewald courtsy of CTCB.

Angela Hansford (CTCB) believes that yoga works best for her. In particular Angela says that because she’s tall, she needs a very strong core. “This helps me to move faster and be more coordinated,” she says.

Angela adds that yoga stretches are very beneficial, and “heated yoga is also great because you feel more flexible in the heat and can really push your stretches.”

But if you prefer fresh air to hot, stuffy studios, Daniel Szybkowski (CTCB) says he goes jogging and hiking, which he claims strengthens his ankles and legs and also improves his stamina.

But what about cross-training for injury rehabilitation?

Michael Revie has dealt with his fair share of injuries over his career and has developed his own injury prevention/recovery techniques. But as a starting point he says, “if I have an injury, I wait until the physio says I am allowed to train, then I train the injured area by itself (pilates, swimming, biokinetics). As soon as I feel the strength coming back, I start to lift more and train longer.”

See them in action…

Now that you have some insight into these dancers’ off-stage workouts, why don’t you see for yourself how it translates into their on-stage performance?

You can still catch the Cape Town City Ballet dancers on stage this week with their production of The Sleeping Beauty at Artscape until 18 August (tickets through Computicket here); and you can see Michael Revie and the South African Mzansi Ballet dancers in their upcoming production of Cinderella at the Joburg Theatre in September (book those tickets here).

Exciting new opportunities for Mami Fuji and Ramiro Samón, who will be performing for two performances in The Sleeping Beauty. Photo by Pat Bromilow-Downing.

Due to injuries, Nehemiah Kish from The Royal Ballet has had to cancel his appearances in Cape Town City Ballet’s The Sleeping Beauty, and as a result, The Royal Ballet ballerina, Roberta Marquez, will not be performing either.

However, this has opened up the fairy tale opportunity to a young ballerina from Japan, Mami Fuji, who will make her debut as Princess Aurora on 14 and 17 August. She will be partnered by Ramiro Samón from Cuba, who will make his debut in the role of Prince Florimund.

“The show must go on…”

“In true show business fashion, the show must go on, and Fuji and Samón have been invited to step in”, commented Prof Elizabeth Triegaardt, CTCB’s Executive Director.

“We are tremendously excited to present Mami Fuji in the role of Princess Aurora. Since joining the company in May, she has made quite an impression on us. This will be her big break, and we are thrilled that it will be happening during our season,” says Prof Triegaardt.

See Puss in Boots, the Big Bad Wolf and other fairy tale characters in Cape Town City Ballet’s The Sleeping Beauty. Photo by Pat Bromilow-Downing.

Keith MacKintosh, CTCB’s Artistic Executive, discovered Fuji when he attended a production of the English National Ballet School in 2012. He invited her to join Cape Town City Ballet for their production of Raymonda earlier this year and after her three month contract with the company expired, she was offered a full-time position with the company.

The Cuban-born Ramiro Samón was trained at the National Ballet School in Havana and is currently contracted with South African Mzansi Ballet in Johannesburg, where he recently appeared in their productions of Don Quixote (see the photos here) and the International Ballet Gala in honour of Alicia Alonso (with pictures here).

Updated principal casting:

•  Wednesday, 14 August at 19:30 (with CPO): Mami Fuji & Ramiro Samón
•  Friday, 16 August at 19:30 (recorded music): Burnise Silvius & Trevor Schoonraad
•  Saturday, 17 August at 14:00 (with CPO): Laura Bosenberg & Thomas Thorne
•  Saturday, 17 August at 19:30 (with CPO): Mami Fuji & Ramiro Samón
•  Sunday, 18 August at 15:00 (with CPO): Burnise Silvius & Trevor Schoonraad

The Lilac Fairy will be performed by Angela Hansford, Kim Vieira and Claire Spector, while the role of the wicked fairy Carabosse will be shared by Johnny Bovang and Mervyn Williams.

Booking details:

Dates: On until 18 August 2013
Venue: Artscape Opera House, Cape Town
Tickets: From R100 to R300 from Computicket or Artscape Dial-a-Seat on 021 421 7695.

Roberta Marquez as Princess Aurora. Photo by Bill Cooper courtesy of CTCB

Cape Town City Ballet has announced that two international stars from The Royal Ballet – Roberta Marquez and Nehemiah Kish – will perform in their upcoming production of The Sleeping Beauty at Artscape from 10 to 18 August 2013.

Roberta Marquez and Nehemiah Kish, both principal dancers for The Royal Ballet in Covent Garden, will grace the stage in the roles of Princess Aurora and Prince Florimund for two performances, which makes for a special scoop for Cape Town City Ballet (CTCB).

Kish was born in the USA, but has travelled the world as a guest artist in numerous ballets and special performances, including partnering Darcy Bussell at the 2012 London Olympics closing ceremony. He joined The Royal Ballet in 2010 and danced principal roles such as James in La Sylphide, Romeo (Romeo & Juliet), Prince (Cinderella, The Nutcracker) and Prince Siegfried (Swan Lake).

The award-winning Marquez, originally from Brazil, has been a principal with The Royal Ballet since 2004 and has starred in roles such as Odette/Odile (Swan Lake), the title role in Cinderella, Swanhilda (Coppélia) and of course Princess Aurora from The Sleeping Beauty.

Nehemia Kish of The Royal Ballet will perform as Prince Florimund in Cape Town. Photo by Bill Cooper courtesy of CTCB.

The most iconic kiss of all time

It’s the classic romantic happily-ever-after story of the beautiful princess, an evil spell by the wicked fairy, and a kiss from her handsome prince that sets her free.

Set to the enchanting tunes of Tchaikovsky, the CTCB says they are creating an opulent production of this classic ballet with beautiful sets and costumes, and certain performances are accompanied by the Cape Philharmonic Orchestra (CPO) too.

Casting of lead roles:

With Kish and Marquez dancing the lead prince and princess roles in two performances, the remaining four performances will alternate between Cape Town City Ballet’s principal dancers, Laura Bosenberg and Thomas Thorne, and with Burnise Silvius, principal dancer from South African Mzanzi Ballet, partnered by CTCB’s Trevor Schoonraad.

The Lilac Fairy will be performed by Angela Hansford, Kim Vieira and Claire Spector, while the role of the wicked fairy Carabosse will be shared by Johnny Bovang and Mervyn Williams.

• Saturday, 10 August at 19:30 (recorded music): Laura Bosenberg & Thomas Thorne
• Wednesday, 14 August at 19:30 (with CPO): Roberta Marquez & Nehemiah Kish
• Friday, 16 August at 19:30 (recorded music): Burnise Sylvius & Trevor Schoonraad
• Saturday, 17 August at 14:00 (with CPO): Laura Bosenberg & Thomas Thorne
• Saturday, 17 August at 19:30 (with CPO): Roberta Marquez & Nehemiah Kish
• Sunday, 18 August at 15:00 (with CPO): Burnise Sylvius & Trevor Schoonraad

But before you click off to book (details below), first watch the lovely Roberta Marquez in this entertaining and animated Ribbon pas de deux (with Steven McRae) from The Royal Ballet’s La fille mal gardée.

Booking details:

Dates: 10 to 18 August 2013
Venue: Artscape Opera House, Cape Town
Tickets: From R100 to R300 from Computicket or Artscape Dial-a-Seat on 021 421 7695.

One of Cape Town’s favourite ballerina’s, Tracy Li, returns to the stage as Camille. Photo courtesy of Cape Town City Ballet. Photographer: Pat Bromilow Downing

While ballet audiences in Johannesburg recently saw the triumph of young love over parental match-making with the humorous twists and turns of Don Quixote, the Cape Town City Ballet now prepares to serve a far more dramatic and tragic contrast with Camille (at Artscape from 2 to 12 May).

In this story, based on the 19th century novel The Lady of the Camellias by Alexander Dumas, the parental interference causes heart-breaking consequences for the two lovers, Armand and Camille.

Due to its dramatic intrigue and touching storyline, the novel was first adapted as a stage play. Then following the play’s success, Giuseppe Verdi set the story to music with his opera, La Traviata, in 1853.

Made famous by Fonteyn and Nureyev

Perhaps the most famous ballet version of the story was a 1963 adaptation created specifically for Rudolf Nureyev and Margot Fonteyn. Read more about the fascinating background story for this ballet Marguerite and Armand here, or watch them in action with this video.

The return of Tracy Li

The forthcoming season of Camille is choreographed by Veronica Paeper. It was written in 1990 and last seen in Cape Town in 2007, a season which marked the last performance of the company’s celebrated partnership of the time, Tracy Li and Daniel Rajna, in the roles of Camille and Armand.

After a six year break from the stage, Tracy Li returns to renew her role of Camille, partnering with the young Jesse Milligan.

Other casts of Camille are Laura Bosenberg and Kim Vieira, while Armand is danced by Thomas Thorne and Daniel Szybkowski. The role of Monsieur Germont, Armand’s father, is performed by Johnny Bovang, previously the company’s danseur noble.

Verdi by the Cape Philharmonic Orchestra

The ballet is danced to Verdi’s La Traviata score, arranged by Allan Stephenson who will also personally conduct the Cape Philharmonic Orchestra (CPO) where they accompany the Cape Town City Ballet at selected performances (see casting).

Laura Bosenberg and Thomas Thorne in Camille. Photo courtesy of Cape Town City Ballet. Photographer: Kirstel Jensen

Casting:

• Thursday  2 May, 19:30 (with CPO):
  Laura Bosenberg & Thomas Thorne
• Saturday 4 May, 14:00 (with CPO):
  Kim Vieira & Daniel Szybkowski
• Saturday 4 May, 19:30 (with CPO):
  Tracy Li & Jesse Milligan
• Wednesday 4 May, 19:30 (with CPO):
  Laura Bosenberg & Thomas Thorne
• Friday 10 May, 19:30 (recorded music):
  Kim Vieira & Daniel Szybkowski
• Saturday 11 May, 14:00 (with CPO):
  Tracy Li & Jesse Milligan
• Saturday 11 May, 19:30 (with CPO):
  Laura Bosenberg & Thomas Thorne
• Sunday 12 May, 15:00 (recorded music):
  Kim Vieira & Daniel Szybkowski

Booking details:

Dates: 2 to 12 May, 2013
Venue: Artscape Opera House, Cape Town
Tickets: from R100 to R280 from Computicket or Artscape Dial-a-Seat on 021 421 7695.